After a bit of foraging, I made these images in a lightbox with a macro lens.
Tuesday, September 28, 2010
Visible migration, North London
An hour of watching from Sunny Hill Park after dawn for the last few mornings is starting to produce a trickle of birds moving south:
Sep 28th
Wood Pigeon 76 S, Meadow Pipit 8 S, Greenfinch 4 S, Redstart (1st-w m) in scrub
26th Sep
Meadow Pipit 23 S, House Martin 9 S, Greenfinch 3 S, Goldfinch 1 S
25th Sep
Yellow Wagtail 1 S, Meadow Pipit 21 S, Swallow 3 S, Greenfinch 4 S, Linnet 1 S
Sep 28th
Wood Pigeon 76 S, Meadow Pipit 8 S, Greenfinch 4 S, Redstart (1st-w m) in scrub
26th Sep
Meadow Pipit 23 S, House Martin 9 S, Greenfinch 3 S, Goldfinch 1 S
25th Sep
Yellow Wagtail 1 S, Meadow Pipit 21 S, Swallow 3 S, Greenfinch 4 S, Linnet 1 S
Thursday, September 23, 2010
Wednesday, September 15, 2010
Monday, September 13, 2010
New sounds and sonograms uploaded
I've uploaded some more sounds and sonograms from Estonia to my main site including Red-necked Grebe, White-backed Woodpecker, Wood Sandpiper, Great Bittern, Little Ringed Plover, Fieldfare, Icterine Warbler & Great Reed Warbler.
www.fssbirding.org.uk/sonagrams.htm
Wood Sandpiper (Tringa glareola)
Männikjärve raba, Estonia 58º 52' 33.2'' N 26º 14' 50.4'' E 22 May 2010, 0837h
Territorial song uttered during display flight over bog pools and stunted scots pines.
www.fssbirding.org.uk/sonagrams.htm
Wood Sandpiper (Tringa glareola)
Männikjärve raba, Estonia 58º 52' 33.2'' N 26º 14' 50.4'' E 22 May 2010, 0837h
Territorial song uttered during display flight over bog pools and stunted scots pines.
Monday, September 06, 2010
Painting with a camera
These photographs are almost contrary to the images most people try to obtain of birds: sharp, in focus, fairly big in the frame, good colour and lighting (and possibly more exciting subjects!). For a change I thought about disregarding most of these guidelines or ideals to create almost painterly-like images based more on imagination and less on an ideal perception of how a bird photograph should look. The images below were all made using the camera controls and hand-held techniques (with exposures as slow as 1/13) at the time of shooting. The only post-processing involved conversion to black and white and slight changes in clarity of the RAW file.
Saturday, September 04, 2010
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